Sunday, February 22, 2015

My Final Oscar Winner Predictions

I have sorted the Oscar nominations in order of their likelihood of winning tonight. Last year, my predictions were 100% accurate,  but this year is harder to predict. You'll notice that I didn't predict Foreign Film, Documentary, or any of the Short Subject categories. I don't know or care about the nominations in those categories. I have seen at least one nomination in every category listed below. Now I feel ready for a fun night of honoring great cinema.

Best Picture
1st Boyhood
2nd Birdman
3rd The Grand Budapest Hotel
4th American Sniper
5th The Imitation Game
6th Whiplash
7th Selma
8th The Theory of Everything

Best Director
1st Birdman
2nd Boyhood
3rd The Grand Budapest Hotel
4th The Imitation Game
5th Foxcatcher

Best Actor
1st The Theory of Everything (Eddie Redmayne)
2nd Birdman (Michael Keaton)
3rd American Sniper (Bradley Cooper)
4th The Imitation Game (Benedict Cumberbatch)
5th Foxcatcher (Steve Carrell)

Best Actress
1st Still Alice (Julianne Moore)
2nd Gone Girl (Rosamond Pike)
3rd Wild (Reese Witherspoon)
4th The Theory of Everything (Felicity Jones)
5th Two Days, One Night Marion Cotillard)

Best Supporting Actor
1st Whiplash (J.K. Simmonds)
2nd Birdman (Edward Norton)
3rd Boyhood (Ethan Hawke)
4th Foxcatcher (Mark Ruffalo)
5th The Judge (Robert Duvall)

Best Supporting Actress
1st Boyhood (Patricia Arquette)
2nd Birdman (Emma Stone)
3rd The Imitation Game (Keira Knightly)
4th Into the Woods (Meryl Streep)
5th Wild (Laura Dern)

Best Animated Feature
1st How to Train Your Dragon 2
2nd Big Hero 6
3rd The Tale of the Princess Kagunya
4th The Boxtrolls
5th Song of the Sea

Best Original Screenplay
1st The Grand Budapest Hotel
2nd Birdman
3rd Boyhood
4th Nightcrawler
5th Foxcatcher

Best Adapted Screenplay
1st The Imitation Game
2nd Whiplash
3rd The Theory of Everything
4th American Sniper
5th Inherent Vice

Best Original Song
1st Selma (“Glory”)
2nd The Lego Movie (“Everything is Awesome”)
3rd Glen Campbell: I’ll Be Me (“Not Gonna Miss Me”)
4th Begin Again (“Lost Stars”)
5th Beyond the Lights (“Grateful”)

Best Original Score
1st The Theory of Everything
2nd The Grand Budapest Hotel
3rd Interstellar
4th The Imitation Game
5th Mr. Turner

Best Production Design
1st The Grand Budapest Hotel
2nd Into the Woods
3rd Interstellar
4th The Imitation Game
5th Mr. Turner

Best Film Editing
1st Boyhood
2nd Whiplash
3rd The Grand Budapest Hotel
4th American Sniper
5th The Imitation Games

Best Cinematography
1st Birdman
2nd The Grand Budapest Hotel
3rd Unbroken
4th Ida
5th Mr. Turner

Best Costume Design
1st The Grand Budapest Hotel
2nd Into the Woods
3rd Maleficent
4th Mr. Turner
5th Inherent Vice

Best Makeup and Hairstyling
1st The Grand Budapest Hotel
2nd Guardians of the Galaxy
3rd Foxcatcher

Best Sound Mixing
1st Whiplash
2nd American Sniper
3rd Birdman
4th Interstellar
5th Unbroken

Best Sound Editing
1st American Sniper
2nd Interstellar
3rd Birdman
4th Unbroken
5th The Hobbit: The Battle of the Five Armies

Best Visual Effects
1st Interstellar
2nd Dawn of the Planet of the Apes
3rd Guardians of the Galaxy
4th X-Men: Days of Future Past
5th Captain America: The Winter Soldier

Thursday, February 19, 2015

Categorizing Men (Including Myself)



     This Venn Diagram might make you laugh, yet it’s surprisingly accurate. Most women want a boyfriend who has everything they they're looking for. Unfortunately, all men lack some quality that women want whether it’s intelligence, good looks, kindness, or heterosexuality. Women should spend more time looking at the qualities men do have, and then decide which ones are most important. For example, if you value kindness more than good looks, you should choose a nerd rather than a jerk. No matter what your preferences are, just make sure you choose someone with at least one of the three main qualities. Men who aren't handsome, smart, or nice don't have a place in the diagram. They're basically just genetic garbage.
     When I first saw this picture, I tried to think of which section described me the best. I decided that I’m in the “Nice” circle extremely close to where it intersects with the other circles, but without entering the other sections. I do my best to be nice, but I’m not quite handsome, not quite a genius, not quite an idiot, not quite a nerd, and not quite gay. I hope that my spot on the diagram is a section that some decent girls will find appealing. If you think I belong in a different section, let me know where. I won't take (much) offense. I know that this picture is a limited way of categorizing the types of men, but it's a good way of reminding women that there's no such thing as a perfect man and how they shouldn't expect to find one.

Tuesday, February 10, 2015

The Action Movie and How it Spoiled American Moviegoers



     I personally think the 2011 film Hugo is interesting, emotionally moving, and extremely well-made, but several of my friends think it's boring. That’s because Hugo is one of the few movies of recent years that isn’t driven by action. People don’t care how much depth or insight a film has. If there’s no action, they lose interest in five minutes. One time when I was working at a movie theater, I had a co-worker who loved The Dark Knight more than any other movie. We had some other good movies playing there too, but he thought most of them were stupid because they weren’t as action-packed. Why can't people realize that it takes more than explosions and chases to tell a good story?
     There was a time when movies didn’t need constant action to be enjoyed by the public. They had attention-grabbing themes, witty dialogue, and touching moments that drew the audience into the world of the story. If an action sequence came up once in a while, that was just a bonus. For example, you never knew when a big event might occur in a Hitchcock film. The excitement of waiting for something to happen was what made it so suspenseful. In modern blockbusters, you always know that a big action sequence is just a few minutes away, so there’s rarely a sense of tension beforehand. Fighting and destruction sequences are so common that it’s hard to distinguish one action film from another.
     When Star Wars and Raiders of the Lost Ark first came out, they were novelties. They were exciting because people weren’t used to seeing that much action. Unfortunately, those movies set the bar too high for other filmmakers. The Mission: Impossible movies resort to action so over-the-top that the characters would die a dozen times in real life. The Matrix emphasizes action to the point where the plot itself is hard to follow, and the thought-provoking subject matter isn't as powerful as it could be. Man of Steel is so action-packed that it doesn’t have enough time for character development. Now that most movies in the theater are big action movies, the genre isn’t unique any more.
     I beg all of you to be more open-minded and expand your tastes in movies. America's attention span is short enough as it is thanks to TV. Don’t make it worse by watching nothing but action blockbusters. I’m not saying you should stop watching action movies altogether. (I'm always interested in Marvel's next big-budget spectacle about yet another superhero no one’s ever heard of.) Just make sure you also take the time to see some inspiring biopics or heart-warming family films. If the average moviegoer learned to embrace a more diverse variety of films, we could resurrect some of the good old forgotten genres of cinema like the screwball comedy, the courtroom drama, and the  musical.